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News & Dates


​OK, so where do we go from here?


The Covid times left me with plenty of time to think about what a sustainable, future live music scene could be like, both here in Iceland and also in general, further afield.

For my part, I don't want to 'go back to normal.'

I want to go forward to new and better ways of doing things, that do not cost us the earth and wreck the planet in the process.


We cannot carry on jetting around the place in the 'old normal' way. Living here in Iceland, thousands of kilometers from anywhere, with a  population the size of a  small European city, that presents a special set of challenges, but we have to find creative ways to find solutions.

For me that could mean smaller intimate scale local events, both indoors (house concerts anybody?), feasts, good old fashioned folk club scale events, and out doors garden concerts, camp fires, tailor made performances in special locations in the countryside, and all with a hefty dose of participation.

While we have discovered the possibilities of Zoom and other on-line options as a useful tool, for me, it can never replace live events. I still have my iconic UK Musicians Union 'Keep Music Live' sticker, firmly glued to my guitar case.

I have always really valued the sense of community and sharing that the best of the folk scene has offered. I firmly believe that our music works best at the scale and in the kinds of settings that it grew out of, so let's see what we can do.

BBC Folk Awards nomination 2018

The track 'The life of a man / Greensleeves'

on my 2017album Hadelin, was nominated as

Best Traditional Track in the 2018 BBC Folk Awards.

You can listen to it right here.

The life of a man
00:00 / 04:55

a new music streaming platform

and it treats artists fairly!

Whatever we musicians may think about streaming, it seems pretty obvious to me that it is going to be the technology that most people will be using to access recorded music for the foreseeable future. The actual process has plenty going for it. It removes a lot of plastic from the environment and cuts out a load of shipping and warehousing costs. Mind you, those servers are using a lot of megawatts and they come with their own significant environmental impacts.

A well known and much discussed big problem with streaming services, is that the income they generate is very unfairly distributed. For the artists that make the actual music that they stream, the income they generate is very small indeed. Another big problem is the way that their algorithms define people's listening choices.

My son Simon Metson in England has developed a new music streaming platform. It is called Audiotarky and it aims to put fairness and privacy in front of algorithms, advertisers and shareholders, while keeping a close eye on its environmental impact.

With technical development now in place, Audiotarky is open for artists to sign up. This is not an exclusive deal, so you can have your music on as many other platforms as you like. If Spotify floats your boat, you are welcome to carry on collecting the crumbs they send your way, if the seagulls don't get them first.


The success or otherwise of Audiotarky will obviously depend on building up a great catalogue of diverse music and, along with that, an ever growing subscriber base.

You can check out Audiotarky at:

Going global,

flowing with the stream

My two vinyl albums for Topic Records (Layers -1977 and All Things in Common - 1979) have been on Spotify for some time, since Topic Records digitised their back catalogue.

All my CD albums are available on multiple streaming platforms as well, so Traces - 1999, Jewels - 2004, Outsiders - 2008 and Hadelin - 2017 are all available, not just on Spotify, but also on iTunes, Amazon, Deezer, Youtube Sound Recording and a bunch of others worldwide that I've never heard of such as Akazoo, Claro Música, Kanjian, Zvooq and Shazam to name but a few.

The two albums that I have made under the Funi duo name with Bára Grímsdóttir (Funi - 2004 and Flúr - 2013) are also out there.

I doubt that the combined income from all this will run to a Mars bar, but you never know, somebody in South America or Russia might discover the delights of hearing Lord Bateman, The Seeds of Love or some traditional Icelandic songs.

Lord Bateman
00:00 / 07:38
The Seeds Of Love
00:00 / 03:36

The Cruel Mother as ballad dance

Connecting with our northern roots at Nordic Harp Meeting in Viljandi, Estonia.

October 21st 2017

video by Katja Nyuppieva

...and here is The Cruel Mother as it appears on my 'Outsiders' album

10 - The Cruel Mother
00:00 / 06:49
FUNI PROMO SHOT portrait.jpg


Over the past year, as well some great gigs in Sweden, Poland and England, I have been really enjoying regular activities here at home, such as the Reykjavík Trad Sessions and Sagnavaka sessions at Ægir bar in Reykjavík. The autumn saw the return of the monthly Söngvaka sessions, which I run with Bára Grímsdóttir, and also regular  meetings of Kvæðamannafélagið Iðunn, full details of which along with extensive archive recordings can be found on their website at: 

Here are key dates for 2024


17th Jan. 21st Feb. 20th Mar.

at 20.00

Söngskólinn í Reykjavík


Icelandic traditional song workshop

Fri. 2nd February

National Museum of Iceland


Details to be confirmed

Sat. 6th April


Akureyrarkirkja, Akureyri, Iceland

Sun. 7th April


Háteigskirkja, Reykjavík, Iceland

Funi gig

Part of the International project Wczoraj i dziś /

Í gær og í dag (Yesterday and Today)

between Funi, Iceland and the Foundation Academy of Ancient Music, Szczecin, Poland

Sun. 2nd June at 12.00 noon

Reykjavík Arts Festival

Iðnó theatre, Reykjavík

Twelve hour Vaka folk arts 'takeover' event.

Concerts, workshops, dancing, displays and sessions. Organised by Vökufélagið.

4th - 6th August

Sidmouth Folk Festival

Sidmouth, England

2024 is the 70th anniversary year of this unique and special event.

It is a great honour to be invited to be a part of it. I will be playing in concerts and doing wokshops.

13th - 15th September 

Vaka Þjóðlagahelgi

(Vaka Folk Festival)

Reykjavík, Iceland

 A full harvest time feast of

Concerts, Dancing, Workshops, Sessions

Starting in Akureyri in 2015 and then in Reykjavík, Vaka Folk Festival puts Icelandic traditional song, dance and music front and centre of its programme, with the aim of building an open and accessible community, creating  opportunities to sing, play, dance and listen to Icelandic traditional music, along with folk music from further afield.

2023 saw the first VAKA since 2019 and it was widely judged a great success.

Thurs. 17th - Sun. 20th October

Nordic Harp Meeting

Lund, Sweden

November 7th - 19th

Solo tour in England

Fri. 8th Bodmin Folk Club

Sun. 10th Crewkerne

Mon. 11th Cellar Upstairs Folk Club, London

Tues. 12th Tigerfolk, Long Whatton, Derbyshire

Fri. 15th Sheffield

Sat 16th Chester

More details to be confirmed in due course.

Booking now for 2024 and beyond

I am always interested to hear from people with ideas for projects and performances.

To enquire about booking

Chris Foster either solo or in the duo

Funi with Bára Grímsdóttir

just send an email to:



Söngvaka is an open singing session that Bára and I run every month in downtown Reykjavík. The idea behind the session is to create a welcoming space and opportunity for people to come and sing and learn songs from the Icelandic oral / aural tradition together. In particular, we have focused on the unique Icelandic, two voice harmony songs called tvísöngvar and the sagnadans ballad songs.


The sessions are held at Söngskólinn í Reykjavík, which has a good room for singing (no surprises there) and onsite car parking too.

Nordic Harp Meeting


Chris and Bára


Nordic Harp Meeting 

Viljandi, Estonia 2017

The Nordic Harp Meeting is an extremely useful and inspiring annual meeting, known to its regular attendees as the Nerdic Harp Meeting. The meeting brings together skilled and expert performers, teachers and researchers, who are all involved in making music with a big variety of old stringed instruments, such as lyres, kantele, hummel, langspil, langeleik, jouhikko and of course more varieties of harp than you can shake a stick at.

Living in Iceland, we are very isolated from the range of skills and expertise that we are able to access at NHM. To be able to meet with all these people under one roof is a great privilege, and we try to go as often as possible. The meeting takes place in a different country each year.

Funi standing by some lava on a cold April day.

You can see the snow storm coming behind us.

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